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Hello,
Came across your site and thought it was very interesting. I have
a question for you. I am a pro singer who sings rock and blues. Aside
from the fact that I have REALLY bad allergies, I often get
fatigued when I sing. Can you tell me what causes this. I use my
diaphragm to breath and control my singing. I am a baritone who has a
decent range, but I don't know why this happens.
Thanks,
Brent
Hello Brent,
This is a common complaint and it is not your allergies that
are entirely at fault. The problem comes when we try to take chest-voice too high into
our range.
The mixing process into head-voice comes quicker than we think and
it is very easy to be too heavy in this blending area. Also, rock and blues
often use a rough-and-tumble sound that makes one more prone to "pulling"
chest.
Try putting you finger on your larynx, or "Adam's apple", and sing a
vowel such as "eee" up into your higher range. If your larynx raises as you go up, this
is evidence that you are pulling up too much chest.
This constant use
of too much vocal weight is much like pounding a square peg into a round
hole. All that an extra diaphragm push will do is pound the cord harder.
This adds up to vocal fatigue (and the older we get the longer the cords take
to rebound). You would probably be best served by finding a good teacher who
can re-balance the voice and get you into the "bridges" from one register to
the next.
Regards,
John
To John,
I'm a 16yr old girl who has only just begun
singing. My voice as I hear it is terrible and weak. My singing teacher thinks
I'm not that bad for a beginner, but I hate hearing my own voice because it
sounds gross to me and I'm getting frustrated with it.
If you have any advice on how to speed up the
process apart from practicing I would appreciate it very much. I just can't wait
to hear my voice and think to myself, " Wow, I can sing and it sounds
beautiful."
Thank you for reading,
Kirsty
Hello Kirsty,
Well, the bad news is that there is no way to get
around practicing. Singing requires you to develop certain coordinations that
simply need to be repeated in order to improve. You can however speed up your
progress by doing the right exercises. If your voice feels okay up to a
certain pitch and then begins to get weak, this is where you start crossing over
into your head voice. The whole key is to be able to blend from your chest voice into your
head voice without it breaking off into a weak feeling. Seth Riggs' book
"Singing for the Stars" can help with this if you do not have a Speech Level
Singing teacher in your area.
You will also need to be a little patient with your
voice as it is still maturing (I know this is hard). Don't compare yourself to
other singers, as everyone's voice grows at a different rate.
Good luck,
John
I was wondering if you could help me. I have been
singing for years, but still don't know how to get what i think is called vibrato!
Is there a particular vocal exercise or does it just come naturally???? I would
be very grateful for any information
Thank you.
Caroline
Hello Caroline,
Vibrato is caused by the cords rapidly opening and
closing during the singing process. As the cords alternate between opened and
closed positions, they experience a rippling effect brought about by the
alternating pressures. This condition only occurs when the cords are not
experiencing undue tension (no matter how slight).
Say the word "goo" softly and try singing a 5-tone
scale (c-d-e-f-g...g-f-e-d-c) at the lower portion of your range and hold the
top note before going back down. See if you can "allow" the vibrato to come in
during the sustained tone. You might find it comes in at the split second just
before you go back down. This is because you have relaxed the cord slightly to
begin your descent.
Also, let yourself get that feeling in your voice
when you are just about to cry and your voice trembles. Try singing your scale
pretending you are about to cry, and feel the voice shake (don't force it).
This can often lead one into the vibrato coordination.
Vibrato will happen at the lower portion of your
range first, and remember not to get impatient.
I hope this helps,
John
Hello,
What is the most important in the speech level singing?
Is it the technique or the feeling? What do you feel? Is it the same when
you're singing as when you're talking? Are you conscious
of the sensations?
Thank you,
Janis
Hello Janis,
These are very good questions! The technique is most
important, the feelings or sensations will follow. You want to keep your larynx
stable as you sing up or down. As you ascend into your head voice or upper
range, you will feel the sensation of resonance cross behind the soft-pallet.
You will also keep the voice "connected" or on your "speech-level" as you sing.
This means not letting the quality or sound of your speaking voice suddenly
change when you sing (breathy or strained, etc.).
You allow the voice to go to the proper place,
rather than forcing it there. If you keep your larynx down and you voice
connected, the inner muscles of the cords will begin to do the work, rather than
your "outer" muscles (those used for chewing and swallowing). It becomes a
feeling of "allowing" the voice, while always monitoring your sensations..
There is a brilliant book called "The Voice of the Mind" by E. Herbert-Caesari,
which goes into these issues in great depth. It is out-of-print, but you can
probably find it at bibliofind.com.
Best of luck,
John
Please
e-mail your questions for JOHN HENNY to:
john@johnhenny.com
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