Q and A

HomeProfileThe MethodExercisesLessonsAudioWeb LessonsSeth RiggsSeminarsQ and ANewsPodcastContactLinks

 

 

 

[Home][Q and A]

 

Hello,

 Came across your site and thought it was very
interesting. I have a question for you. I am a pro
singer who sings rock and blues. Aside from the fact
that I have REALLY bad allergies, I often get fatigued
when I sing. Can you tell me what causes this. I use
my diaphragm to breath and control my singing. I am a
baritone who has a decent range, but I don't know why
this happens.

Thanks,

Brent

Hello Brent,


This is a common complaint and it is not your allergies that are entirely at fault.  The problem comes when we try to take chest-voice too high into our range.

The mixing process into head-voice comes quicker than we think and it is
very easy to be too heavy in this blending area.  Also, rock and blues often
use a rough-and-tumble sound that makes one more prone to "pulling" chest.

Try putting you finger on your larynx, or "Adam's apple", and sing a vowel such as "eee" up into your higher range.  If your larynx raises as you go up, this is evidence that you are pulling up too much chest.

This constant use of too much vocal weight is much like pounding a square
peg into a round hole.  All that an extra diaphragm push will do is pound
the cord harder.  This adds up to vocal fatigue (and the older we get the
longer the cords take to rebound).  You would probably be best served by
finding a good teacher who can re-balance the voice and get you into the
"bridges" from one register to the next.

Regards,

John

 

 

To John,

I'm a 16yr old girl who has only just begun singing. My voice as I hear it is terrible and weak. My singing teacher thinks I'm not that bad for a beginner, but I hate hearing my own voice because it sounds gross to me and I'm getting frustrated with it.

If you have any advice on how to speed up the process apart from practicing I would appreciate it very much. I just can't wait to hear my voice and think to myself, " Wow, I can sing and it sounds beautiful."

Thank you for reading,

                        Kirsty   

 Hello Kirsty,

Well, the bad news is that there is no way to get around practicing.  Singing requires you to develop certain coordinations that simply need to be repeated in order to improve.  You can however speed up your progress by doing the right exercises.   If your voice feels okay up to a certain pitch and then begins to get weak, this is where you start crossing over into your head voice.  The whole key is to be able to blend from your chest voice into your head voice without it breaking off into a weak feeling.  Seth Riggs' book "Singing for the Stars" can help with this if you do not have a Speech Level Singing teacher in your area. 

You will also need to be a little patient with your voice as it is still maturing (I know this is hard).  Don't compare yourself to other singers, as everyone's voice grows at a different rate.

Good luck,

John 

 

 

I was wondering if you could help me. I have been singing for years, but still don't know how to get what i think is called vibrato! Is there a particular vocal exercise or does it just come naturally???? I would be very grateful for any information

                                              Thank you.

Caroline

Hello Caroline,

Vibrato is caused by the cords rapidly opening and closing during the singing process.  As the cords alternate between opened and closed positions, they experience a rippling effect brought about by the alternating pressures.  This condition only occurs when the cords are not experiencing undue tension (no matter how slight). 

Say the word "goo" softly and try singing a 5-tone scale (c-d-e-f-g...g-f-e-d-c) at the lower portion of your range and hold the top note before going back down.  See if you can "allow" the vibrato to come in during the sustained tone.  You might find it comes in at the split second just before you go back down.  This is because you have relaxed the cord slightly to begin your descent. 

Also, let yourself get that feeling in your voice when you are just about to cry and your voice trembles.  Try singing your scale pretending you are about to cry, and feel the voice shake (don't force it).  This can often lead one into the vibrato coordination.

Vibrato will happen at the lower portion of your range first, and remember not to get impatient.

I hope this helps,

John

 

 

Hello,

What is the most important in the speech level singing?  Is it the technique or the feeling? What do you feel? Is it the same when you're singing as when you're talking? Are you conscious of the sensations?

Thank you,

Janis

Hello Janis,

These are very good questions!  The technique is most important, the feelings or sensations will follow.  You want to keep your larynx stable as you sing up or down.  As you ascend into your head voice or upper range, you will feel the sensation of resonance cross behind the soft-pallet.  You will also keep the voice "connected" or on your "speech-level" as you sing.  This means not letting the quality or sound of your speaking voice suddenly change when you sing (breathy or strained, etc.). 

You allow the voice to go to the proper place, rather than forcing it there.  If you keep your larynx down and you voice connected, the inner muscles of the cords will begin to do the work, rather than your "outer" muscles (those used for chewing and swallowing).  It becomes a feeling of "allowing" the voice, while always monitoring your sensations..  There is a brilliant book called "The Voice of the Mind" by E. Herbert-Caesari, which goes into these issues in great depth.  It is out-of-print, but you can probably find it at bibliofind.com.

Best of luck,

John

 

Please e-mail your questions for JOHN HENNY to:

john@johnhenny.com

 


Copyright (c) 2001 The John Henny Vocal Studio Inc. All rights reserved.
tristan62@earthlink.net